Citizen Doug Productions

Emmy award winning sound design and location audio

Tag: playback

  • Five facts about Citizen Doug Productions and Avid Pro Tools

    Five facts about Citizen Doug Productions and Avid Pro Tools

    Bonus: Designed and installed the Pro Tools Audio suite at KUHT on which I won two Lonestar Emmys. I often refer to Pro Tools as a life skill when speaking with students. It remains the Rosetta Stone of post audio for it’s exchange standards. It is the longest running Digital Audio Workstation. There are other…

  • Citizen Doug does Vari-speed Music Video Playback

    Citizen Doug does Vari-speed Music Video Playback

    Varispeeding audio playback while a camera over or under-cranks is not a new technique. I am able to match a variety of camera frame rates on set, on demand. I was hired to do the first three days of on set playback in Houston on Solange’s short film “When I Get Home.” The second video…

  • Playback! for Travis Scott – SICKO MODE ft. Drake provided in Htown by Citizen Doug

    Playback! for Travis Scott – SICKO MODE ft. Drake provided in Htown by Citizen Doug

    Got to work for Freenjoy’s production of Travis Scott – SICKO MODE ft. Drake directed by Dave Meyers and Travis Scott. On set music playback was supported with Pro Tools, Ambient Recording ACL 204, Denecke TSC slate, QSC K8 speackers, Lectrosonics IFB, and Zoom L20 over the first two days of production throughout Houston, Texas.…

  • Sound Design “The Last 24” : DWDT’s ‘Made In Italy’

    Last 24 is an amazing documentary from the mind of Ernie Manouse and his friendship with Dominic Walsh. Somebody should have run with this concept. Douglas Robertson supervised the sound design which included up to five camera crews, live pit orchestra recording as well as playback and intercom recordings. Shannon Harrison was the lead audio…

  • Sound Design “The Last 24” : DWDT’s ‘Made In Italy’

    Sound Design “The Last 24” : DWDT’s ‘Made In Italy’

    Last 24 is an amazing documentary from the mind of Ernie Manouse and his friendship with Dominic Walsh and DWDT. Somebody should have run with this concept. Douglas Robertson supervised the sound design which included up to five camera crews, live pit orchestra recording as well as playback and intercom recordings. Shannon Harrison was the…