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Douglas Robertson answers Kinky FRIEDMAN’s questions on InnerVIEWS with Ernie Manouse
While at HoustonPBS, I occasionally provided location audio recording for Innerviews with Ernie Manouse, a two camera interview show. In this one, I actually participate, which horrifies me when it happens. I figured they’d edit it out. Nope. Other Innerviews recorded by Citizen Doug: Gene Wilder, Bob Geldof, Garrison Keillor, Kinky Friedman
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Doug Robertson records Gene Wilder on InnerVIEWS
While at HoustonPBS, I occasionally provided location audio recording for Innerviews with Ernie Manouse, a two camera interview show. Mr Wilder was a gracious guest. Other Innerviews recorded by Citizen Doug: Gene Wilder, Bob Geldof, Garrison Keillor, Kinky Friedman
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Citizen Doug Records Bob Geldof for Innerviews
While at HoustonPBS, I got to record Bob Geldof for Innerviews with Ernie Manouse. This was early in the run of the two camera half hour interview show. Shot at Holocost Museum Houston, there were some noise reduction efforts required in post production in the Pro Tools Suite I built at KUHT. He was definitely…
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After Party with Tianna Hall ‘Fever’ 9-20-06
For almost four seasons, we did a little talk show called The After Party on HousotnPBS. This was another brainchild of the amazing Ernie Manouse and was capably directed by Matt Brawley. We were crammed into studio B. Music consisted of a tiny stage and a crappy electric piano. It was a great vehicle to…
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Sound Design “The Last 24” : DWDT’s ‘Made In Italy’
Last 24 is an amazing documentary from the mind of Ernie Manouse and his friendship with Dominic Walsh. Somebody should have run with this concept. Douglas Robertson supervised the sound design which included up to five camera crews, live pit orchestra recording as well as playback and intercom recordings. Shannon Harrison was the lead audio…
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Sound Design “The Last 24” : DWDT’s ‘Made In Italy’
Last 24 is an amazing documentary from the mind of Ernie Manouse and his friendship with Dominic Walsh and DWDT. Somebody should have run with this concept. Douglas Robertson supervised the sound design which included up to five camera crews, live pit orchestra recording as well as playback and intercom recordings. Shannon Harrison was the…